This week all the attention has gone to the new VCV Rack. This is a virtual Modular synthesizer, which is free and open source, and (best of all) runs on Linux. I really had to check this one out!
This video was made without much musical intention, and I tried to use only the modules that come bundled with the program, before installing any additional modules (more on that later). There was not much of a big musical intention behind this video other than to see how this synth sounds, how stable it is and how easy it is to create something from scratch. Continue reading VCV Rack Virtual Modular Synth for Linux→
Two things I must confess before starting this review. For once, I’m not a particular fan of chorus pedals. Not because I dislike the chorus effect (well… it is not among my favourites either), but because I find myself spending more and more time playing with reverbs and delays. These latter effects just seem more pleasing for me when sculpting sound and making music. Another confession I need to make is that I was quite reluctant about buying this pedal from a friend.
That being said, my friend convinced me on taking the pedal home earlier this year. A few weeks later, one of my gear suppliers was having a sale with a lot of pedals at 10, 15 or 20 euro. So I now I have quite a few chorus pedals. Indeed, the Behringer UC200 I reviewed last month came from that lot. As you may have read it, I was not impressed with the UC200, but the Ashton SF50CH is a whole different matter.
The first thing to notice about this pedal is that it is a solid (and heavy) metal case. It is smaller than my Berhinger pedals, yet it carries a substantial amount of weight (specially when compared against the X200 series). It is a mono pedal, with only one input and one output, so you won’t have those autopanning and stereo-widening effects you can do on other chorus pedals. Continue reading Ashton SF50CH Chours Pedal: Review & Impressions→
There are some pedals, like the EM600, that take a lot of time for me to review because of how great they are. Then there are pedals like this one: the Behringer UC200. This is a very cheap pedal (usually less that $20 – $25 on Amazon). Because it it so cheap, i feel compiled to lower the bar and see what this pedal can offer on such a low budget. As usual, a demonstration of this pedal is provided on my YouTube channel.
As the code name implies, the UC200 is a pedal from Behringer’s early 200 series. This alone should summarize the build quality. Although I found no issues with the jacks and the knobs being decent, there is a low budget plastic feel to the pedal that improved as the series evolved. There is a single mono input, and a stereo output (two mono 6.35mm TS sockets). So at least we know the pedal will provide us with some widening of the stereo field. Continue reading Behringer Ultra Chorus UC200: Is it worth it?→
This one took me almost a year to experiment with and review. This is probably not the best thing to say if you want to attract manufacturers to invite you to review their, products, but I’ll say it nonetheless: this pedal almost broke me, but in a good way. Not only it sounds good, it is also fully featured, making this probably the best delay pedal in its price range (less than €100).
This little green stomp box offers 3 switchable types of delay line with adjustable modifiers, 11 delay modes, as well as the traditional REPEAT and TIME knobs for controlling the number of repeats and the time between them. The time can also be sync’ed to a TAP TEMPO, and 3 subdivisions are available by default. There is also the customary TAILS switch which allows the effect to keep going even if you choose to bypass the newer notes. The pedal works in stereo, with some modes adding an extra panning to enhance the effect. Continue reading Behringer Echo Machine EM600→
If you happen to follow my YouTube channel more than this blog (and why should you d otherwise, as most of the good stuff comes in video format?), you’ll notice I posted a new video demonstrating the Behringer RV600 in combination with Korg’s Volca Keys. If for some odd reason you came across this post before listening to the video, you’ll find the video here:
I have originally reviewed this pedal here, and made an accompanying video for it. Actually, this was the first video I I did demonstrating a pedal, and it is still the most viewed of the Gear Demos playlist. However, this video was done in poor lightning, with an ageing camera and the sound quality, either by personal lack of experience or by bad programming of the synth, did not really came up to par. After more than a year using this pedal in many of my productions, and noticing an ongoing interest about this little reverb unit, I decided it was time I did right by this pedal, and re-do its demo. I also wanted to add in some of my personal notes about its sound and capabilities. Continue reading RV600 A New Perspective→
I brought this pedal during the Spring of 2016: I was walking through a store and saw it at a reasonable price (about 30 euros). Now, there are three things to know before reading this review: a) I’m not a big fan of flangers in general; b) this pedal is more subtle than your average flanger FX (compared, for example with the Flangers in the MiniKP2, this one is very, very shy); and c) I think NUX stopped making these pedals during the summer of 2016, although you can still find it on amazon and other retailers. As usual, I recommend you to complement this reading by watching the demo on my YouTube Channel (see bellow).
Ok, so let’s start with the obvious: this pedal is white with a purple background in the control area. It is a metal case with the same dimensions and overall Feel of the NUX Time Core (reviewed here). I must say the NUX Time Core has been with me for about a year now and is my main delay pedal. I don’t use it as a stomp box (i.e. I don’t have it on the floor and use my feet on it), so I cannot state it was built like a tank. Nevertheless, if you’re not going to take it to some physical mistreatment, the built quality is fine (specially considering the price). Thus, I’m expecting the NUX Flanger Core to be at around the same build quality, which is not bad, and it is perfectly adequate for my usage. Continue reading Nux Flanger Core Review→