Some time ago I got a deal on a pack of 10 behringer pedals on sale. Most of the pack was made by chorus pedals, such as the UC200, but there were also some other effects, such as this TP300 Ultra Tremolo/Pan, which I demo in the video bellow.
As you probably already know, Tremolo is an amplitude effect, in which the volume of the instrument varies in time in a periodic fashion. This can be easily achieved on most synths by modulation the output amplifier with a LFO. But the Volca Keys doesn’t have this routing available, or you may have already used all your LFO resources on other modulation. This is where a Tremolo Effect (either in hardware or software) can be useful when playing a synth. Similarly, the auto PAN feature of this pedal can also be done by routing an LFO to the PAN of the amplifier… provided your synth as a stereo output, and that routing is available.
Yesterday, a small box entered my home. It is the Stylophone Gen X-1. Apparently, this is an upgraded version of the original stylophone David Bowie plays in the Space Oddity video clip. As many of you know, I have a soft spot in my heart for small noisy machines, and this one promises to be much more than that, so for 60 euros, I went forward and brought the thing.
The first thing you notice when taking the stylophone out of the box is that it it light, but not so light that it feels like a toy. The box is solid and doesn’t appear to bend easily. The knobs on the front panel are very similar to the ones you find on the Volcas and the Monotrons: they to wobble a little bit, but are perfectly usable. On the left side you also have the ON/OFF switch and three toggle buttons labeled “X”, “-1” and “-2”. Continue reading Stylophone Gen X-1: First Impressions→
This week all the attention has gone to the new VCV Rack. This is a virtual Modular synthesizer, which is free and open source, and (best of all) runs on Linux. I really had to check this one out!
This video was made without much musical intention, and I tried to use only the modules that come bundled with the program, before installing any additional modules (more on that later). There was not much of a big musical intention behind this video other than to see how this synth sounds, how stable it is and how easy it is to create something from scratch. Continue reading VCV Rack Virtual Modular Synth for Linux→
Two things I must confess before starting this review. For once, I’m not a particular fan of chorus pedals. Not because I dislike the chorus effect (well… it is not among my favourites either), but because I find myself spending more and more time playing with reverbs and delays. These latter effects just seem more pleasing for me when sculpting sound and making music. Another confession I need to make is that I was quite reluctant about buying this pedal from a friend.
That being said, my friend convinced me on taking the pedal home earlier this year. A few weeks later, one of my gear suppliers was having a sale with a lot of pedals at 10, 15 or 20 euro. So I now I have quite a few chorus pedals. Indeed, the Behringer UC200 I reviewed last month came from that lot. As you may have read it, I was not impressed with the UC200, but the Ashton SF50CH is a whole different matter.
The first thing to notice about this pedal is that it is a solid (and heavy) metal case. It is smaller than my Berhinger pedals, yet it carries a substantial amount of weight (specially when compared against the X200 series). It is a mono pedal, with only one input and one output, so you won’t have those autopanning and stereo-widening effects you can do on other chorus pedals. Continue reading Ashton SF50CH Chours Pedal: Review & Impressions→
There are some pedals, like the EM600, that take a lot of time for me to review because of how great they are. Then there are pedals like this one: the Behringer UC200. This is a very cheap pedal (usually less that $20 – $25 on Amazon). Because it it so cheap, i feel compiled to lower the bar and see what this pedal can offer on such a low budget. As usual, a demonstration of this pedal is provided on my YouTube channel.
As the code name implies, the UC200 is a pedal from Behringer’s early 200 series. This alone should summarize the build quality. Although I found no issues with the jacks and the knobs being decent, there is a low budget plastic feel to the pedal that improved as the series evolved. There is a single mono input, and a stereo output (two mono 6.35mm TS sockets). So at least we know the pedal will provide us with some widening of the stereo field. Continue reading Behringer Ultra Chorus UC200: Is it worth it?→
This one took me almost a year to experiment with and review. This is probably not the best thing to say if you want to attract manufacturers to invite you to review their, products, but I’ll say it nonetheless: this pedal almost broke me, but in a good way. Not only it sounds good, it is also fully featured, making this probably the best delay pedal in its price range (less than €100).
This little green stomp box offers 3 switchable types of delay line with adjustable modifiers, 11 delay modes, as well as the traditional REPEAT and TIME knobs for controlling the number of repeats and the time between them. The time can also be sync’ed to a TAP TEMPO, and 3 subdivisions are available by default. There is also the customary TAILS switch which allows the effect to keep going even if you choose to bypass the newer notes. The pedal works in stereo, with some modes adding an extra panning to enhance the effect. Continue reading Behringer Echo Machine EM600→