It has been a while since I make a review for an audio effect. This little yellow wah pedal was found at a second-hand store for about 20-25 euros. I’m not a fan of the Wah sound, but the Human Voice label was interesting enough to separate me from my cash. The video bellow shows how this pedal behaves when fed by the Volca Keys.
First, lets talk about build quality. As I mentioned in the Vlog, there is an evolution on the way Behringer produces stuff, with the older gear being more fragile and less well build. This pedal’s construction is a shy improvement over that of the UV300, but it is still far away from that of the RV600 and the other pedals I have from the 600 series. As usual, this pedal can run out of a 9V battery, of using a 9V center-negative pin power supply. There are 3 inputs to this pedal and only one mono output. The inputs on the right hand side are for plugging in a guitar or a bass guitar (depending on which socket is pluged, the parameters for the internal filter are adjusted). On the left side there is the mono audio output and also an input for a control or an expression pedal. Continue reading Behringer DW400 Review→
This is the first time I write here since early June. Thankfully, there is a good reason behind mu absence: in mid-June me and my girlfriend started living together. And because this is a new house, we were able to make some adjustments to my setup.
Perhaps the most noticeable difference is that my main keyboard (a Edirol PCR-500) now sits on the lower shelf of a Ultimate AX-48 Pro. The MicroKorg and the MicoBrute alternate as tenants of the upper shelf. Perhaps in the future a third shelf will be added eihter for a laptop, or a Beatsetp Pro, or another keyboard synth ;)
The rest of the space is occupied by Ikea furniture, which provide placement for all the small stuff: Volcas, the QY-70, the SU-10, all the guitar pedals, two half-rack synth modules (a FB-01 and a gorgeous sounding JV-1010) and other little bits. But most important, some duets may be on the way ;)
Delays… this is one of the most useful audio effects you might have in your arsenal. You can use it to create rhythmic patterns, to create some hypnotic repetitions, or to give some ambience. Some delay units can even be used as a poor man’s reverb. I first brought the Nux Time Core with very low expectations: my precious experience with the NUX PG-2 was under par, and most comments about this pedal on amazon UK were mostly negative. But I went forward buying it and after a couple of months using it I don’t regret it at all.
The Nux Time Core is a relatively small orange delay pedal, with a number of algorithms emulating a number of typical delays (Tape, Digital, Analogue/BB, Ping Pong) and some less usual delays, such as Mod or Reverse. There is also a basic built in looper with overdub and capacity to record up to 6 minutes. Continue reading Nux Time Core→
This is just another of my experiments, trying to combine Linux and hardware synthesisers. There are a number of interesting details about this video I wanted to share with you here.
Fist, lets talk about the parts involved. There was one main session, with the Volca Keys being recorded (after going through the FX600 and the Nux Time Core for Chorus and Delay) to my main laptop using the Focusrite 2i2, and the Kaossilator2 (KO2) playing an arpeggio using the “Acid Bass” preset, and being recorded to my eeepc using my Behringer UCA-202. Audacity was used in both laptops to record the sound. Then, there was a second recording session with the KO2 pushing the “Deep House” pattern, and also a third recording of me warming up my fingers with the Streichfett being controlled by the MicroKeys25. These latter sessions were all recorded using the Focusrite, although the quality of the UCA-202 is good enough for these backing tracks. Everything was mixed using Ardour.
Now, for the control part. The Nanopad2 is controlling SEQ24, which contains nothing more than a few short MIDI clips. Some of them contain notes, other contain CC data to be sent to the Volca Keys. The Volca Keys is in Poly Ring mode, which gives the “glitchy character” when multiple notes are triggered at the same time. It was nice to finally understand that SEQ24 has a queueing facility, which activates a clip only at its end.
I’m currently planing a short course about SEQ24… ;)
After reviewing the Behringer VP-1 Vintage Phaser, I pluged the MicroKorg into it. The white noise going through it creates that great Jean-Michel Jarre Oxygene sound you heard in the beginning and end of the review/demo video. The phaser plays great with some of the factory presets, specially those on the SE/Hit section.
Not only does it sound great, it inspired me to record some riffs, I then started improvising on top of them and then it came the time when I decided to actually put some music sheet in front of me and write the melody and chord sequence. This took me about a week, just to make the chords work with the riff, then place a D Dorian melody on top of it (with a small modulation to D minor).
Ok, so this was my first experiment vloging on YouTube. I think it when well… except for the Volca that does not respond to MIDI, the head bump into the mic, my face on the video, and some attempts at assassinating the English language…Should I repeat it?