These nights around the Winter Solstice are the longest, many times the coldest, but not necessarily sad nor depressing. I like the dark and quiet environment of these long winter nights to create some music and soundscapes. This track is the result of one of those nightly jams.
The gear I used is my November/December 2020 setup: The SQ-1 serves as the master clock. Yes, the SQ-1 doesn’t show me the tempo I’m playing at, but that is a good thing in this case, as it allows me to set the tempo based on feeling, instead of looking to a number display. From the SQ-1, the analogue sync signal goes (via a split) to the Monotribe and the Behringer Crave. The MIDI output is connected to the MicroFreak, which is listening on channel 2. I’m also sending CV A and B to the Crave’s filter CV (via the VC mixer) and the filter Ressonance. Finally, the KMI QuNexus is used to play the lead sound on the Crave. As a final touch, the Monotron delay is listening on the Crave’s headphone output, for that cosy lo-fi delay vibe.
It is very interesting to play the pad on the MicroFreak while sending MIDI notes on channel 2: there is an interesting interference between the chord notes and the external sequencer that makes for an interesting and moving background. I really want to go back to this technique in 2021.
This was also one of the first videos I edited using FlowBlade instead of Kdenlive. I hope you enjoy the result as much as I enjoyed making it.
This track is also available on my BandCamp (as an EP with both Long and short versions) or on my SoundCloud.